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Balinese
Long-Tailed Monkeys
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The function of Bali's
forests has changed, and so have the lives of the fauna which
inhabit them. These changes result from efforts aimed at environmental
preservation, as well as the incorporation of the forests and
its fauna into the tourism industry. In spite of these changes,
however, many forest-dwelling fauna continue to live in nature
peacefully and happily.The forest-dwelling animal most prevalent
in Bali is the long-tailed monkey (Macaca species). This kind
of monkey is commonly found in umerous places all over the world.
In fact, the long-tailed monkey is spread all over Indonesia,
and can be found in just about all areas of the archipelago. In
spite of the ubiquity of this monkey, known as bojog in Balinese,
a certain mystery still surrounds it. This mystery recalls the
Balinese people's belief in the close ties between their own society
and that of the monkey. That locals regard the monkey highly is
evident in the place the animal occupies in Balinese folk tales
and fables as well as in the Hindu epics. In the Ramayana, the
Hindu epic, Sugriwa and Hanoman are monkeys who play heroic roles.
Hanoman, the king of the monkeys, is particularly notable. In
India, infertile women pray to Hanoman by stripping in front of
his statue and asking him to deliver them from sterility. The
ancient Egyptians also showed similarly high regard for the baboon,
which was accorded the special task of honouring the sun at dawn
and at dusk. Buddhist symbolism depicts the monkey alongside the
elephant as Buddha's escorts. The Chinese Swen Wu Kong (swen means
monkey) is similarly heroic. Swen Wu Kong was popularised via
a 16th century novel, in which he, alongside two others, escorted
a priest from China to India in search of the sacred Buddhist
scripts. This story was recently repopularised via a Chinese television
serial, the highly popular dubbed version of which appears on
Indonesaian television as Kera Sakti (Sacred Monkey). In
Bali, monkeys which inhabit certain locations are also regarded
with awe. The people of Sangeh, and Alas Kedaton Tabanan, two
places where the long-tailed monkey lives, believe that monkey
kingdoms exist in these places, and have so since long before
their promotion as tourist attractions. The
monkeys
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of Sangeh and Alas
Kedaton Tabanan are also believed to adhere to curious burial
rites, whereby they bury their own dead. This belief derives from
the fact that the rancid stench of decomposing animal corpses
never seems to emit from the forest, even though monkeys are in
abundance there and certainly die frequently. It is believed that
the monkeys must have a special burial ground. No-one however
has been able to prove, to date, exactly how the monkeys bury
their dead,
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but the communities
that live around Sangeh and Alas Kedaton Tabanan firmly believe
that they do. They also believe that the world of the monkey consists
of both niskala (beyond the realm of the senses) and sekala (able
to be sensed) elements, thus following the Balinese (human) world
view. Further, not only in Sangeh and Alas Kedaton, but all over
Bali, it is believed that every community of monkeys has a king
who oversees the unique and mysterious social activities of his
monkey kingdom. As a primate,
the long-tailed monkey's social life pproximates that of humans.
Their communities are structured hierarchically. They live in
communities which are relatively uniform in size and structure.But
there are various kinds of family relations and terri -toriality
within monkey communities.
In most cases, a ranking of male monkeys applies. Similar rankings
may also apply to female monkeys. Like human children, young long-tailed
monkeys spend their time playing: ighting, chasing each other,
performing acrobatics on trees, doing back flips, swinging, imitating
their elders and tickling each other. Through play, the young
monkeys, who remain highly dependent on their parents for the
first three years of their life, learn about the world around
them. The edu--cation of the young monkeys is similar to a play
group in that as they play, young monkeys are supervised by an
adult monkey. In case of danger, however, the young flee the group
and return to their respective parents. Long-tailed monkeys form
into small groups which, like families, se-ek food, sleep and
eat together. After eating, family members clean each other, by
picking parasites, thorns, seeds and other debris from each others'
fur. This ritual cleaning has a hyg -ienic function, but it also
serves to maintain the close ties and to uphold the existing hierarchy
among family members. In Bali, it is not only human society that
has been disrupted by tou--rism, but also that of the monkey.
The social change experienced by the long-tailed monkey is evident
in the difference in body shape between monkeys that inhabit touristed
areas and those living in wilder, more rugged places. Natives
of touristed areas tend to be fatter, because they are overfed,
whilst those living elsewhere have much slimmer bodies. There
are also marked differences of behaviour in different areas in
Bali. The monkeys of Sangeh tend to be extremely cheeky. They
steal glasses, bags and climb onto peoples shoulder, and refuse
to return the things they have stolen or to climb off peoples'
shoulders until they have received some peanuts or a banana.
They become aggressive towards people who don't bring food, and
friendly towards those who do. In Monkey Forest in Ubud also,
the monkeys tend to approach those who have food on them, although
the Ubud monkeys here tend to be less aggressive than those in
Sangeh.In Alas Kedaton Tabanan, the monkeys swim and bathe to
wash themselves. Whilst those of the Wanasari forest, on the road
from Denpasar to Singaraja, about 5km from Lake Bedugul, a community
of about 50-60 monkeys live at an altitude of around 1220 m. They
line up alongside the road and wait for passers by to give them
food. Due to the road's incline, the vehicles ascending it tend
to emit a lot of exhaust fumes, which is then inhaled by the monkeys.
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Consequently, these
monkeys have developed an ingenious way of cleansing their nostrils
of the exhaust residue ? by rubbing their noses with clumps of
grass.The monkeys in Uluwatu, meanwhile, find their food in the
wild. They eat leaves and the leftovers of offerings placed at
the temple by locals who go there to pray. The forest at Uluwatu
ends abruptly at a steep limestone cliff. The monkeys have learned
to climb up and down the cliff, as they often go to the beach
below to search for food such as seaweed, small fish or prawns.
Human behaviour has taught monkeys to be more human-like, because
monkeys tend to copy what they see and incorporate that behaviour
in their development of a lifestyle. According to Wayan Batan,
a primate expert in the Veterinary Science Faculty of the Udayana
University in Denpasar, changes in the behaviour of monkeys in
Bali has been caused by a number of factors, including increased
human activity in the places where the monkeys live and, as a
result of this, several monkey communities now have access to
foods that do not occur naturally in their environment, as well
as increased competition among monkeys for food due to population
growth.
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The Neka Museum
in Ubud has as part of its collection a that depict monkeys
- among them I Gusti Keut Kobit's 'Coiled by the Serpent Lasso'
(1953) which depicts a scene from the Ramayana, and Ida Bagus
Made Togog's 'Grateful Animal' (1950), which depicts the Indian
fable Tantri Kandaka. Many stone and wood carvings in Bali depict
the Ramayana epic, of which monkeys are a central part, in detail,
and are displayed in the home as decorative ornaments or wall
hangings. In the performance arts, such as the Ramayana dance-drama,
monkeys, particularly the monkey king Hanoman, is also central.
The Kecak dance is another example of the centrality of monkey
characters in the arts in Bali. As is the case in Java and in
other areas of Indonesia, the monkey is often portrayed as a
comic figure in village plays. This monkey comedy genre is also
performed on the village level in Bali, whereby players move
from house to house, busking their talents in return for small
contributions.
TOURISM AND MONKEYS: SUSTAINABLE CO-EXISTENCE?
Wayan Batan has been observing
and medically treating the long-tailed monkeys for a number
of years. He claims that the animals began inhabiting their
current habitats some time ago. The monkeys, he explains, seeks
out the forests where food supply is abundant and constant.
Further, the monkeys are barely affected by human population
growth or migration, because they tend to live in areas perceived
as sacred by local Hindu Balinese.Some of the habitats of the
long-tailed monkey on Bali include the West Bali National Park,
the Wanasari Forest in Bedugul, Alas Kedaton in Tabanan, Sangeh,
Monkey Forest in Ubud, Uluwatu, Bukit Gumang in Karangasem,
Mt. Batukaru, Mt. Batur, Mt. Lempuyang, and other areas which
harbour small colonies.It is clear that monkey colonies that
inhabit tourist areas, such as Monkey Forest in Ubud, have increased
in size over time. The Ubud monkeys are guaranteed a food supply
that is rich in nutrients and protein, thus assuring that their
growth is healthy. Healthy monkeys tend to proliferate more.
As individual monkeys experience healthy growth, the size of
the colony as a whole necessarily increases.In this way, the
tourism industry and Bali's monkey population are mutually supportive
and co-exist symbiotically. As tourism reaps profits from monkey
colonies, it sustains them by encouraging tourists to feed them.
Local communities also benefit ? they sell food to the tourists
for the monkeys, and establish small businesses as amateur photographers
to give the tourists the opportunity to preserve their visit
on Polaroid film.Monkeys and humans can benefit each other as
long as this harmony is maintained. Humans refrain from destroying
the monkey habitats, or upsetting this harmony in any way, for
fear of provoking the monkeys.Nevertheless, at this point in
time it may be useful to consider other ways in which tourism
can help ensure that its co-existence with the long-tailed monkey
continues and is sustainable
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copyright © 2001. Bali Echo. All rights reserved.
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